Archive for Andrew

| May 1, 2014
2 comments

My High Hopes for the New Godzilla Movie: Fat Green Dinosaur Blues

Godzilla-Teaser-Poster-2-Header

It’s now May, 2014, which (in my household, at least) is officially “Godzilla Month,” due to the upcoming release of the Legendary Pictures reboot of the venerable Toho Studio franchise.

As a longtime Godzilla fan (I saw my first Godzilla movie, Destroy All Monsters, at the age of three in the back of my parent’s convertible at a drive-in movie in Miami), here are my hopes for the new movie:

• I’d like Godzilla to look like GODZILLA, not some mutated iguana or monitor lizard (like in the 1998 American version, which was a sort-of-decent giant monster movie, but a lousy Godzilla movie). From the pics I’ve seen, I think this one is covered.

• I don’t want Godzilla to move/run/fight at the speed of a scalded cockroach (like he did in the 1998 version). He is much more impressive as a somewhat slow but unstoppable force of nature (as he was in the original Godzilla, King of the Monsters).

• Would it be too much trouble to ask for Godzilla to have a smidgeon of a personality, apart from perpetually-pissed-off dinosaur? I’m not saying he needs to get all cuddly, like he was in Son of Godzilla or any of the monster team-up movies like Godzilla vs. Gigan. But maybe some facial expressions? Maybe some distinctive moves? Legendary Pictures did a good job of giving their giant Jaiger robots in Pacific Rim some personality, but all their monsters have had the personality of a salamander, thus far.

• I was pretty impressed with the script for Pacific Rim. Will the new Godzilla have some genuine human interest, or will it just be a trio of monsters bashing each other in San Francisco? (Not that there’s anything wrong with that…)

Oh, and here’s a somewhat hilarious article from the International Digital Times, entitled “Is Godzilla Too Fat? Japanese Fans Outraged Over ‘Godzilla’ 2014 Portrayal As A Chubby Kaiju.”

“OK, so it’s a little hard to miss the fact that Godzilla is a little chubbier than usual in the latest Godzilla 2014 trailer, but we would never fat shame the tubby behemoth. Fat shaming Godzilla is exactly what fans are doing… Japanese fans are calling the new Godzilla ‘out of shape Godzilla,’ ‘Metabozilla’ and ‘pudgy and cute.’ Some of the more hilarious insults being hurled at the new monster are that ‘his neck looks like an American football athlete’s,’ ‘he got beefed up from the radiation at Fukushima’ and ‘that’s what happened when all your do is eat and lay around.’”

Hey, maybe Legendary Pictures will ask me to do the novelization of their latest film. I’ve got the perfect title – Fat Green Dinosaur Blues…

Category: Horror and Fantasy, Stuff I Like | Tags:
| April 28, 2014
2 comments

Fiends Without Form: Toho Goes Shapeless with The H-Man, Matango, and Dagora, the Space Monster

Original Japanese poster for Matango

Toho Studios and the dynamic duo of director Ishiro Honda and special effects wizard Eiji Tsubaraya are best known in the U.S. for their kaiju films starring Godzilla, Rodan, Mothra, King Ghidorah, and other giant inhabitants of Monster Island. But their kaiju films were far from their only excursions into the science fiction and horror realms. At least three such Toho flicks are notable for featuring amorphous aliens, shapeless specters, random radioactive rascals, or fiends without form (there – I think I’ve exhausted my alliterative abilities, at least for the moment).

A nightclub beauty being dissolved into green goo by the H-Man

Although the best known monstrous mass of moldy goo from 1958 is undoubtedly The Blob, the first film to feature Steve McQueen in a starring role (and also memorable for its tongue-in-cheek hit theme song), Toho actually beat Paramount Pictures to the punch with their not-too-dissimilar horror flick, The H-Man (the former was released in September, 1958, whereas the latter was released in Japan in June, 1958, first appearing in the U.S. in May of the following year). The original title of this sprightly horror film was Beauty and Liquid Men, which suffers when translated into English, as do many Japanese film titles.

As with so many Japanese films of the period, the monsters are created by nuclear radiation out at sea (this is also the scientific explanation behind the mutagenic mushrooms found on the deserted island in Matango). Special effects technician Eiji Tsubaraya, the man behind the effects in all of the Godzilla pictures from the original Godzilla, King of the Monsters to Godzilla’s Revenge, designed the “liquid men” as blue effluence that could move of its own volition and take on roughly human shape.

With much of the film’s action set in or near a nightclub, Masaru Sato composed a jazzy score that adds much liveliness to the film. The nightclub acts give the film a kitschy, vintage charm. The monsters themselves aren’t very scary, until you see one dissolve a beautiful singer. The film’s climax, set in the sewers beneath Tokyo, reminds me of the subterranean climax of Them! (where the giant ants are cornered by the army in the storm sewers beneath Los Angeles. It also adds a good bit of genuine horror to this science fiction pic.

On account of the gangsters and their molls, the nightclub singers, and that suspenseful climax, I give The H-Man three stars out of five.

My favorite of this amorphous “trilogy” is definitely Matango (alternatively titled Attack of the Mushroom People or Matango, Fungus of Terror — the latter one of the all-time great monster film titles). In part, this is because I watched it at least half a dozen times as a kid on late-night or Saturday afternoon TV, so it made a big impression on me. Also, it is an unusual film for Toho and director Ishiro Honda in that it mainly focuses on psychological horror, rather than physical monsters. This is mainly due to its origins in the William Hope Hodgson story, “The Voice in the Night,” a 1907 tale of psychological horror (which I have not yet read, but which is on my list).

I wouldn’t eat that if I were you…

A group of young Japanese men and women on a pleasure yacht are forced to beach their craft on a seemingly deserted island after a fierce storm at sea damages their boat. Much of the island is covered by a rapidly growing fungus, as is another beached yacht, this one abandoned, which they come across. They quickly run out of canned foods and are forced to forage on the island. The yacht’s captain warns them not to eat the mushrooms, as they may be poisonous. They subsist for a while on bird’s eggs (although most birds avoid the island), potatoes, and seaweed, but one of their number succumbs to the call of the mushrooms and eats some. Their influence drives him mad, and he attacks his fellow castaways. One by one, the members of the yachting party eat the mushrooms, and they begin to see shambling, walking mushrooms, some of which appear vaguely human…

I won’t spoil the ending for those of you who haven’t yet seen it, but it’s a doozy. I give Matango four out of five stars for its atmospheric horror, unusual for a Toho film.

Before the script for Giant Space Monster Dogora (retitled Dagora, the Space Monster for American television) was written, I picture Ishiro Honda having the following conversation with monster master Eiji Tusburaya:

“Okay, we’ve done a combination Tyrannosaurus Rex and Stegosaurus (Godzilla, King of the Monsters),” says Honda.
“Check,” says Tusburaya.
“We’ve done a pair of love-sick pterodactyls (Rodan).”
“Check.”
“We’ve done a giant moth (Mothra).”
“Check.”
“We’ve done a giant flying squirrel (no, not Rocky of Rocky and Bullwinkle fame, but Varan the Unbelievable).”
“Check.”
“We’ve done a three-headed dragon that spits lightning bolts (Ghidorah, the Three-Headed Monster).”
“Check.”
“So what kind of monster haven’t we done?”
“How about a giant space jellyfish that eats coal and dies when exposed to plentiful doses of wasp venom?”
“Fabulous! Get me a script writer!”

Yes, the creature does end up being vulnerable to wasps’ venom, which turns its jelly-like substance crystalline. One of the funniest scenes in the movie (perhaps inadvertent; I couldn’t tell) comes when a trio of hard-luck diamond thieves (Dagora eats carbon; that’s the connection with the jewel thieves) are suddenly crushed by a falling chunk of the crystallized monster while hiding behind a big rock on a beach. Violent slapstick worthy of the Keystone Cops.

If only more of this movie could've looked this mysterious and magical...

This is one of the only Toho science fiction or kaiju films in which the giant monster is not played by a man in a rubber suit. Also, Dogora/Dagora was one of the only Toho giant creatures to not appear in the all-star kaiju cast of Destroy All Monsters in 1968 (c’mon, even Varan the giant flying squirrel puts in a brief appearance in that film).

Despite the beauty of some of the scenes of Dagora in the night sky over Japan, I can only give Dagora, the Space Monster two point five stars out of five, due to the incredibly convoluted nature of its story, involving diamond thieves, coal deposits, wasps, etc. etc. etc. A little too baroque for its own good, I’d say. If only more of the film could have had that fabulous sense of wonder inspired by those few scenes of the creature floating over Tokyo in the night sky…

Category: Horror and Fantasy, Reviews and Such, Stuff I Like |
| April 23, 2014
18 comments

Two Dozen Outstanding Independent Bookstores – the Death of the Physical Bookstore is Greatly Exaggerated

Octavia Books in New Orleans

Octavia Books in New Orleans

Whereas many blogs on the publishing field mourn the coming death of the physical bookstore, the membership of the American Booksellers Association (the trade group for independent bookstores) has been gradually growing each year since 2010. And the website Flavorwire.com has published two lists of outstanding independent bookstores, one listing 45 stores, the other listing 25 stores. These articles are a real treat for lovers of independent bookstores.

Some of these stores are fairly new, founded since the most recent economic downturn. But many of them are long-standing central gathering places for their neighborhoods, their storied existences stretching back over decades.

I’ve gone through the list of 70 independent bookstores and note below the 15 stores I have a personal familiarity with.

Politics & Prose, Washington, DC
This is my current “hometown” bookstore, being only six miles away from my workplace in downtown Washington, DC. I’ll admit to not yet having made the 45 minute subway trip there, but this store has a reputation as one of the most outstanding booksellers in America, so I will get there eventually. Presidents, ex-presidents, and presidents’ wives have given readings here (and maybe I will too, someday).

BookPeople, Austin, TX
I visited this store several times when I lived in New Orleans and used to make fairly regular trips to Austin for ArmadilloCon. Wonderful ambiance, and very friendly to readers of science fiction and fantasy (they have a huge selection of such books).

City Lights Bookstore, San Francisco, CA
This is one of the most famous bookstores in America, founded by one of the original Beats, Lawrence Ferlinghetti. When I visited San Francisco on business a couple of years back, it was at City Lights that I discovered I needed reading glasses – I spent so long browsing there that I had a splitting headache later that night, and my eyes felt like they were about to fall out of my head. When I got home, I immediately bought a pair of reading glasses, and that fixed the problem. City Lights is also a publisher of poetry, non-fiction, and Beat-related fiction.

Atomic Books, Baltimore, MD
This is a store which I’ve always wanted to visit but haven’t gotten to yet. But I am very familiar with their terrific website, from which I’ve ordered lots of fun and eclectic stuff. Their specialties are graphic novels, pop culture, and alternative/weird lifestyles and fandoms; right up my alley! Baltimore isn’t that far from my home, so I will get there, eventually.

Books & Books, Miami, FL
This is actually an indie-mini-chain of bookstores and coffee spots/booksellers in the Greater Miami area, with the largest and oldest store located in downtown Coral Gables. I did a signing there in 2005, when I was staying in Miami Beach with my family following the devastation of Hurricane Katrina in New Orleans (my home city was off-limits for nearly two months). The owner, Mitchell Kaplan, who founded the flagship Coral Gables store in 1982, was a big supporter of Hurricane Katrina relief, running at least one benefit reading during the crisis; for that, I will be forever grateful. Books & Books’ various locations sponsor approximately 60 author readings each month.

Square Books, Oxford, MS
This is one of my favorite stores in the whole world, in one of my favorite small towns (home to William Faulkner, whose house is now a fascinating museum). Two levels of literary goodness; and if you desire literature or non-fiction at a bargain price, Off-Square Books is right around the corner, specializing in quality close-outs. I signed stock there several times in the mid-2000s.

Maple Street Books, New Orleans, LA
For many years, one of my favorite “home town” bookstores. Maple Street Books is the grand-daddy of the Uptown New Orleans independent booksellers, having been founded in 1962 (here’s a terrific article on the store’s history, written by local mystery author Kris Wiltz, who is pretty terrific herself). Many, many were the times I stopped in to browse or to sign stock of the Fat White Vampire books.

Housing Works Bookstore Café, New York, NY
This is a very fun used books store and café in the Tribeca neighborhood of Manhattan, where all the books are donated, and all funds raised above operating expenses are donated to various housing-related charities.

D. J. Wills Books, La Jolla, CA
Founded in 1979, this very well-stocked store is also the home of the La Jolla Cultural Society.

The Elliott Bay Book Company, Seattle, WA
Wow, do I wish the Elliott Bay Book Company was a little closer! I’ve only gotten to visit there twice, once on my honeymoon with Dara in 2003, and the other time on a recent work-related trip. One of the largest bookstores in Seattle, which is one of America’s great cities of readers, and located in historic Pioneer Square, not too far from Underground Seattle (where the TV movie The Night Strangler was filmed). Back in 2003, I bought an issue of Locus Magazine which had one of the first reviews of Fat White Vampire Blues, a review so wonderful it brought tears to my eyes. For that reason alone, I’ll never forget the Elliott Bay Book Company.

Strand Bookstore, New York, NY
Eighteen miles of books! New, used, and close-outs! Three stories big! In the heart of Manhattan! Back when I lived in Long Island, I used to take the Long Island Railroad into Manhattan nearly every weekend, and more weekends than not, the Strand was on my agenda. It is a not-to-be-missed destination for any book lover who visits NYC.

Octavia Books, New Orleans, LA
I simply cannot over-praise Octavia Books and its owners Tom and Judith Lowenberg. Tom and Judith hosted the “opening night” readings and signings for both Fat White Vampire Blues and Bride of the Fat White Vampires. They also hosted three annual George Alec Effinger Memorial Readings, each timed to coincide with the release of a new retrospective hardback edition of George’s fabulous short fiction from Golden Gryphon Press (now, sadly, defunct). Octavia Books is far from defunct, however. Tom and Judith were two of the very first merchants to re-open in New Orleans following the re-opening of the city to its inhabitants, and they provided a vital community gathering center and source of “normality” during those stress-filled first several months after the storm. Since then, they have gone from strength to strength, hosting several author events each week (with free refreshments).

Book Revue, Huntington, New York
During the three years I lived on Long Island, this was my home-away-from-home. Along with Canio’s Books in Sag Harbor, this is the center of Long Island’s literary culture.

St. Mark’s Bookshop, New York, NY
A fixture of the East Village bohemian scene ever since its founding in 1977, this was also one of my “not-to-be-missed” stops on my long walks from Chelsea to Alphabet City. Open seven days a week until midnight!

Kramerbooks and Afterwords Café, Washington, DC
A fun place to both browse and eat, Kramerbooks and Afterwords Café features late hours, a big menu, and plenty of books to eyeball. I plan to have my fiftieth birthday lunch there.

The Flavorwire.com lists missed some terrific independent bookstores with which I’m personally familiar. I list 9 additional stores below.

The Booksellers at Laurelwood, Memphis, TN (formerly known as Davis-Kidd Books)
This huge store in Memphis was a centerpiece of my 2004 tour for Bride of the Fat White Vampire. They treated me with exquisite courtesy and are just as welcoming to their customers.

University Books, Seattle, WA
Another of Seattle’s tremendous independent bookstores, this one is close to the University of Washington and features a huge, and very well-curated, science fiction and fantasy section. A highlight of Dara’s and my honeymoon in Seattle, along with the Elliott Bay Book Company.

Seattle Mystery Bookshop, Seattle, WA
For mystery lovers who are visiting Seattle or who live there, this gem of a store, hidden on a side street in the historic Pioneer Square neighborhood, nestled between several cafés, is not to be missed. A huge selection of new and close-out mysteries from all the major (and minor) names in the field.

Left Bank Books, Seattle, WA
You revolutionaries and anarchists out there will not want to miss this tiny store nestled within the Pike Place Market, not far from the fresh fish vendors.

Arundel Bookstore, Seattle, WA
A very well-stocked store located just blocks from both the historic Pike Place Market and the Pioneer Square neighborhood; very close to the bay and all its attractions.

Borderlands Books, San Francisco, CA
I am very fortunate that I can call the owner of this wonderful science fiction, fantasy, and horror bookstore, Alan Beatts, my friend. He invited me to do a signing of The Good Humor Man and the Fat White Vampire books at Borderlands on my one and only trip to San Francisco (also home of one of my publishers, Tachyon Publications). I could’ve spent three times the couple of hours I’d allotted for browsing. Borderlands also features a terrific coffeehouse and bakery on the premises.

Mysterious Galaxy Books, San Diego, CA
This carefully curated science fiction, fantasy, mystery, and horror bookstore is a San Diego mainstay. They’ve always been big supporters of my Fat White Vampire books. The staff there are extraordinarily knowledgeable about their stock; it’s worth your time to just go spend an hour chatting with them.

Garden District Book Shop, New Orleans, LA
Owner Britton Trice knows his books. He located his store in the historic Rink property in the Garden District of New Orleans, along fabled Magazine Street, upstairs of a popular coffeehouse. Garden District Books specializes in signed books by local authors, so if you want your signed Anne Rice tome, this is the place to get it!

Finally, here’s a story from the 9/23/13 issue of New Orleans Gambit on the state of New Orleans’ indie bookstores, which, considering the small size of the New Orleans market and the large number of independent booksellers, is far more positive than the doomsayers would have you believe. The Uptown Borders Books died a year after it opened (in the shell of the old Bultman Funeral Home, ironically enough), but this cluster of Uptown independent bookstores has been going strong for years.

Hail the independent bookstore! Long may you survive and thrive!

Update on 4/24/2014: Jay Ouzts at the Passive Voice blog reminds me that I missed Lemuria Books in Jackson, Mississippi. How could I possibly forget them???? I actually did a signing there on a couple of occassions for the Fat White Vampire books. One of the nicest independent bookstores in the South, in an absolutely beautifully designed location. Plus, downtown Jackson sports some classic diner-style restaurants, which are a short drive away from Lemuria.

Category: Book Love, Horror and Fantasy, Science Fiction |
| April 18, 2014
One comment

Precursor to the USS James B. Eads of Fire on Iron: USS Cairo

Famous photo of the USS Cairo, taken before her sinking by submerged "torpedo"

Famous photo of the USS Cairo, taken before her sinking by submerged “torpedo”

___________________________________________________________________________

Readers of my steampunk supernatural suspense novel Fire on Iron know that most of the novel is set aboard a fictional City-class ironclad river gunboat, the USS James B. Eads. What some readers may not be aware of is that one of the James B. Eads‘ “sister ships,” the USS Cairo, is on display at the Vicksburg National Historical Park, located in Vicksburg, Mississippi. The Cairo was sunk on December 12, 1862 by a submerged Confederate “torpedo,” or what we would call today a mine. Almost a hundred years later, in 1956, historian Edwin C. Bearss, employed by the Vicksburg National Historical Park, located the wreck, buried in the mud of the Mississippi River.

In 1960, Bearss succeeded in raising various pieces of the wreck, including the Cairo’s armor-plated pilothouse. Four years later, he had succeeded in securing additional funding from the State of Mississippi, and an attempt was made to raise the entire wreck in one piece. However, the three-inch thick cables which were being used to raise the wreck sliced through the ironclad’s wooden hull (Cairo was built of wood and partially plated with 2.5″ thick railroad iron and sections of boiler plate). So the decision was made to allow the cables to slice the gunboat into three sections, each of which was raised separately.

In 1965, the various sections and chunks of the wreck were placed on barges and first towed to Vicksburg, then towed again to a shipyard in Pascagoula, Mississippi, where the engines were disassembled, cleaned of rust and mud, and reassembled, and the various other parts of the ironclad were put together like pieces of a jigsaw puzzle. The wooden parts were continuously sprayed with water to keep them from cracking. It took many years for Congress to raise the necessary funds, but in 1977 the wreck, now partially restored, was towed back to the Vicksburg National Historical Park and put on display on a concrete base, next to a small museum, which displayed small artifacts recovered from the wreck (personal belongings of the ironclad’s sailors), and a gift ship which sold Cairo-related books and models. Since then, the old ironclad has been more fully restored and now rests under a protective awning.

I first visited the Cairo back in 1994, when I was writing my first draft of Fire on Iron. While I still lived in New Orleans, I made several pilgrimages to the Vicksburg National Historical Park to visit the only surviving US Navy river gunboat of the Civil War period.

I hope you enjoy the slideshow below of the Cairo in her original glory, being salvaged from the bottom of the Yazoo River, and how she looks today on display.

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Category: Horror and Fantasy, Stuff I Like | Tags:
| April 17, 2014
Comments Off on Recent Article Linked to by SF Signal and Locus Online

Recent Article Linked to by SF Signal and Locus Online

The science fiction website SF Signal has linked to my recent article, “The New Immortality of Authors and Books,” on its Science Fiction/Fantasy/Horror Links Page for 4/17/14.

SF Signal is a marvelous science fiction, fantasy, and horror website, winner of the 2012-13 Hugo Award for Best Fanzine. The site currently has over 866 pages of content. Current contents include a podcast interview with author Daniel Price, a link to the Functional Nerds podcast, and a link to the new trailer for the upcoming film, X-Men: Days of Future Past, which, if it is anywhere as good as X-Men: First Class was, should be one terrific movie.

The article has also been linked to by Locus Online, “The Website of The Magazine of the Science Fiction & Fantasy Field” (Locus Magazine has won the Hugo Award for Best Semi-Pro Magazine I think 33 times; they should just call it the Locus Award, but then again, there already exists a Locus Award, so forget that). Locus Online is the best online source for the most recent news in the science fiction, fantasy, and horror fields, and they also include lots of book and movie reviews and author retrospectives. Edited by Mark Kelly, it is invariably a fantastic read, and is worth visiting on a weekly basis. My article was linked to in the Blinks section on the left hand side of the web page for 4/17/14.

Here’s a link to the original article, “The New Immortality of Authors and Books.”

Category: Conventions and Fandom |
| April 15, 2014
4 comments

The New Immortality of Authors and Books

Headstone with flowers

I’d like to pose (and attempt to answer) four related questions. When is a relationship dead? When is a writer dead? When is an author dead? When is a book dead?

When is a relationship dead? When one of the two parties who formerly made up the relationship refuses to continue to relate. One party may continue to try. But with only one party making an effort, the relationship is dead.

I’m thinking about this very frequently nowadays. My relationships with my mother and my step-father are dead. They refuse to talk with me. When I was in the hospital for six days, they made no attempt to contact me, nor did they send a get-well card. They were not ignorant; my brother and sister filled them in regarding my distress and situation.

I recently received the news, through my sister, that my step-father is ailing. I asked my oldest son, Levi, if he would like to send his grandfather a get-well card, even though his grandfather no longer sends him letters, cards, or gifts. He said he wanted to send a get-well card, anyway, so I went out and bought one for him, put stamps on it, addressed it for him, and let him fill in the inside with a personal message. I also added a brief message of my own, very simple — “Dad, I hope you feel better soon. Love, Andy.”

By servicing the dead, one services the living. I was servicing the dead, and I was teaching my son to do the same. When we visit a gravestone and place flowers by it (or small pebbles from home, as is a common Jewish custom), we are servicing the dead, but in truth, we are servicing the living — ourselves. We are preserving a sense of connection with the departed and remembering the loving times we spent together. My step-father is dead to me. But by sending him a card with a brief message, I am recalling the years of love we shared, before he decided to cut off our relationship. I am also teaching my son that sometimes it is good and proper to take the effort to send someone something of yourself, even if you cannot expect any response in return.

A writer is no more than a person who writes. The only relationship necessary for writership is that between a writer and his or her work. When is a writer dead? A writer is dead when the person who writes dies.

An author is a writer who has an audience other than him or herself; the audience can be as small as one other person. Authorship is a type of relationship, a three-way relationship: the relationship between the author and his work; the relationship between the author and his reader(s); and the relationship between the author’s work and the reader(s). When is an author dead? An author is dead when all three of those relationships are severed, and they may be severed when only one party in the relationship is failing to maintain the relationship. In the relationship between the author and his work, the author can renounce his work and stop writing. In the relationship between the author and his reader(s), either party can stop sustaining a relationship which has been built. In the relationship between an author’s work and its audience, either the work can go out of print and be discarded from all lending libraries (the work severs the relationship), or the audience can stop reading the work.

When is a book dead? Either when the book is no longer available to persons who might otherwise be its audience, or its existing and potential audiences stop reading it.

The new hybrid forms of writer-publisher and author-publisher means that fewer writers, authors, and books will die. The assurance of publication means a writer will likely continue to write and continue to have a relationship with his work. The availability of social media, blogs, and websites means that an author’s direct relationship with readers need not cease until the author’s death. And the invention of ebooks, which need never go out of print, mean that very few books of lasting worth will ever die, for they will always be available to the readers who are willing to search them out.

I used to be an author; I was a writer with an audience. Now, having lost the majority of my audience, I am once again a writer. But by starting my own small press and publishing my books as both ebooks and physical books, I am taking steps to achieve life after death for me as an author and for my books.

Category: Miscellaneous Musings, Publishing |
| April 14, 2014
Comments Off on Book Blogger David Myers’ Cancer Has Recurred

Book Blogger David Myers’ Cancer Has Recurred

Myers_DG

One of my best friends in the blogosphere, books blogger Professor David Myers, has been informed that his cancer has recurred and that he has, at most, two years left. He has written a wonderful, touching, and profound article called “Dying is a 12-Step Program.” I highly recommend it to anyone who has a friend or family member who is dying, who has a fatal illness his or herself, or who is faced with a major life crisis of any sort.

Also, David’s blog, A Commonplace Blog is fabulous, filled with hundreds of fascinating and illuminating articles about books and authors. Here is a link to his review of Philip K. Dick’s The Man in the High Castle. And here is a link to his article “Best American Fiction, 1968-1998,” in which he includes Dick’s Do Androids Dream of Electric Sheep? (It is listed and commented upon first on a list of 27 outstanding books, mostly literary fiction; it is the only SF book on the list.) Check it out, too.

And please, if and when you visit the blog, send David your best wishes for his recovery. Miracles have been known to happen, and he did manage to temporarily beat his cancer once before.

Category: Book Love, Reviews and Such |
| April 9, 2014
2 comments

New MonstraCity Press Website Debuts!

Monstracity Press Logo

I’m very proud to announce the debut of the new MonstraCity Press website! The website includes all of MonstraCity Press’ publishing plans through August of 2016, including the continuations of the Fat White Vampire series and the August Micholson Chronicles (the series that begins with Fire on Iron).

Here are the upcoming Fat White Vampire titles:
Fat White Vampire Otaku, (Jules Duchon #3), May, 2014
Hunt the Fat White Vampire, (Jules Duchon #4), February, 2015
Ghost of the Fat White Vampire, (Jules Duchon #5), November, 2015
Fat White Vampire Rehab, (Jules Duchon #6), May, 2016

Here’s a tie-in book that takes place in Jules Duchon’s New Orleans contemporaneously with the catastrophic events of Fat White Vampire Otaku and which explains the origin of Hurricane Antonia (the fictional counterpart of Hurricane Katrina):
The Bad Luck Spirits’ Social Aid and Pleasure Club, November, 2014

Here are the upcoming August Micholson Chronicles titles:
Hellfire and Damnation, (August Micholson #2), August, 2014
Fire on the Waters, (August Micholson #3), May, 2015
Home Fires, (August Micholson #4), February, 2016

Here are a pair of stand-alone novels:
No Direction Home, (near-future science fiction), August, 2015
The End of Daze, (satirical eschatological fantasy), August, 2016

Dara Fox, my lovely wife, is serving as Managing Editor and Co-Publisher, and I have granted myself the title of Co-Publisher, too.

Please visit the website of MonstraCity Press often!

Category: Horror and Fantasy, Publishing, Science Fiction | Tags: , , , , , , , , , , ,
| April 7, 2014
Comments Off on Japanese Fan Site for Fat White Vampire Blues

Japanese Fan Site for Fat White Vampire Blues

Fat White Vampire Blues, Japanese cover

Way, waaaaaaaaaay back in those olden days of 2003, Fat White Vampire Blues was published in a very smart-looking edition (trade paperback with slip cover and built-in bookmark) in Japan, in Japanese. I exchanged several emails with my Japanese translator, who was incredibly sweet and polite and wanted me to explain some New Orleans local lingo so he could properly translate it. I received in the mail a small advance payment (which I greatly appreciated) and a copy of the incredibly neat-o edition of my book (which I think I appreciated even more). Then I never heard another word from that Japanese publisher. They opted not to translate and print Bride of the Fat White Vampire, so I assumed the first Jules Duchon/Fat White Vampire book had dropped like a stone into the pond of the Japanese market and hardly created so much as a ripple.

Well, it must’ve created at least something of a ripple, because I just stumbled across a Japanese fan site dedicated to Fat White Vampire Blues. If you are a fan of Jules Duchon and the series, you should go to this link, even if you don’t read Japanese, because the accompanying photos are so perfectly selected. This Japanese fan has assembled a small portfolio of fat New Orleans culture. Below is a sample: an obese cab driver waiting for his next fare.

Fat cab driver from Japanese FWVB website

Now, if I could just get that Japanese publisher interested in the next Jules Duchon book, which features a trio of Japanese super-heroes (Fat White Vampire Otaku, due out next month, May, 2014), maybe I could be big in Japan!

Category: Conventions and Fandom, Horror and Fantasy | Tags: , ,
| April 3, 2014
Comments Off on Updates on My List of Upcoming Appearances

Updates on My List of Upcoming Appearances

Unfortunately, I have had to severely truncate my list of upcoming appearances, due to my son Levi’s health situation. At present, I am unable to leave Dara, my wife, alone with Levi and his brothers for any extended period of time (such as the full weekend nearly all science fiction conventions take up). However, I expect to go to at least a day or two of CapClave 2014 in Rockville, Maryland in mid-October, since Rockville is only a ninety minute drive from my house and I can “commute.”

My updated list of planned and past convention and readings appearances can be found here.

Category: Conventions and Fandom |
| April 3, 2014
2 comments

Update to Upcoming Projects Page

My update to my Upcoming Projects page can be found here. You may be surprised to see how many books I have in the pipeline, including several that will be published later this year by MonstraCity Press. See my Upcoming Projects page for brief descriptions of books 4-6 of the Fat White Vampire series and books 2-4 of the August Micholson Chronicles series, along with descriptions of several stand-alone science fiction novels which I have written and the first three books of the Mount MonstraCity series for middle grade readers (each of which has been written). I hope you’re as excited as I am!

Category: Horror and Fantasy, Publishing, Science Fiction |
| March 30, 2014
10 comments

Fat White Vampire Otaku Next Up

Fat White - High Resolution - 100 Percent JPEG

Coming next from MonstraCity Press is the third in the Fat White Vampire/Jules Duchon series, Fat White Vampire Otaku. Just what is an otaku, you might ask? Otaku is Japanese for “fan boy” or “fan girl.” Jules and his vampire friends get to sample the blood of a trio of Japanese superheroes after the devastating Hurricane Antonia rolls through New Orleans. The effects of that blood (at least some of it) on Jules and his friends cause them to become big-time otaku of their visiting pals, the Japanese superheroes… before chaos erupts! And you know chaos HAS to erupt, because this is a Fat White Vampire book!

My wife Dara, my partner in MonstraCity Press, has been working hard on proofing and formatting this third book in the Fat White Vampire series. We are aiming for a late April to mid-May roll out of the book. The ebook versions will arrive first, to be followed by a trade paperback version. Watch this space, as I’ll keep you all informed as of our progress!

(Reality check: Dara and I have had our hands full with Levi’s health problems recently, so it is possible that the publication date of Fat White Vampire Otaku may be pushed back a month or two. I’ll continue to keep you all updated.)

Category: Horror and Fantasy, Publishing | Tags:
| March 24, 2014
Comments Off on A Historical Mystery Found in Graffiti

A Historical Mystery Found in Graffiti

graphitti on Kiska

I discovered this seemingly weirdo incongruity while visiting an Internet site devoted to the Japanese occupation of the American island of Kiska during World War Two. This is the caption which accompanied this photo:

“Office of Japanese weather station occupied by Japanese, became U.S. officers’ headquarter; graffiti is written across wall behind desk.”

See if you spot the Bizarro-World nature of this graffiti which (we assume, based on the historical record) Japanese troops left behind on the wall of a weather station on the occupied island of Kiska in September, 1943.

Answer: the graffiti is in German, not Japanese! Was this a clever head-fake by the retreating Japanese, who left Kiska without firing a shot? Or were there actually German speakers on Kiska in 1943 – which would imply that the German High Command was considering using Kiska as a jumping-off point for an invasion of Alaska?

No; the latter doesn’t make any sense at all. It must be the former…

Here’s a link to the rest of a set of very memorable photographs of the island of Kiska, taken right after American forces liberated the place.

Category: Stuff I Like |
| March 22, 2014
Comments Off on Would It Matter to You If You Had to Read a Vintage Ebook as an Emulation on the Web?

Would It Matter to You If You Had to Read a Vintage Ebook as an Emulation on the Web?

ELL's sad-mac after shipping mishap

Here’s a question I’d like to pose to those obsessive techies out there: would it matter at all to you if you had to read a vintage ebook as an emulation on the web, rather than read it on one of the machines it was originally built to be read upon? This is of at least a little interest to me, because (a) I have a collection of vintage laptops and so thus can be said to support maintaining the ecological niche of old electronics; and (b) a few months back, I picked up for my boys at Taco Bell a whole series of vintage Atari games (Pong, Asteroids, Centipede, etc.) which could only be played on a newish PC using the computer’s DVD drive, and I didn’t miss the experience of playing on the original hardware at all.

In support of “emulations are just fine, skip the original hardware,” here’s a story about the efforts of what I’ll call electronic literature archeologists to find and preserve some of the earliest examples of ebooks and books presented in an electronic-only format. As an illustration of the risks of relying too much on preserving the original-spec equipment to run the ebooks, here’s a cautionary tale of how the Electronic Literature Lab (ELL) For Advanced Inquiry into Born Digital Literature lost 4 of its 24 vintage MacIntosh computers in a shipping mishap, trying to get the computers to the January, 2014 convention of the Modern Language Association in Chicago. Life would’ve gone a whole lot smoother for the ELL folks if they’d only had to worry about transporting their software, not their hardware, too.

Here’s a description of the Electronic Literature Showcase which was held at the Library of Congress from April 3-5, 2013. The earliest example of an ebook in the program’s Featured Works dates to 1982, a work of “digital poetry” from Eduardo Kac entitled “Nao!”

cropped-ell-small2

For those of you who are interested in the Electronic Literature Lab For Advanced Inquiry into Born Digital Literature, here is their mission statement:

“The term ‘electronic literature’ applies to works that are created on a computer and meant to be read and experienced on a computer. [Dene] Grigar, a scholar and devotee of eLit, helped build a lab in which to preserve and enjoy works of vintage electronic literature. She helped create the Electronic Literature Lab at Washington State University Vancouver, which houses a collection of over 300 works of eLit — one of the largest collections in the world — and twenty eight vintage Macintosh computers on which to run them. Each computer has its appropriate OS version and, for browser-based works, appropriate browser versions.

“The ELL is never closed. Students with access rights can come and go at any time. Despite the age of the computers, they are all in good working condition. Grigar has someone who maintains the lab computers and keeps them tuned and running, and she uses a local computer-repair specialist for more serious technical issues.

“In addition to preserving the software disks on which the works reside, the ELL backs up and preserves their software in a repository. In some cases, the ELL keeps a copy of the software on the computer on which the work is played rather than go through the whole re-installation process; on the older computers that could require loading several disks. For CD-based works, they make an ISO image backup copy.

“The ELL has a searchable database to track all the works, the computers, operating systems and software requirements. If a user wants to view a work, he or she would search for it and, according to its requirements, locate which lab computer to use.”

Pretty interesting, huh? I’m happy to see that I’m not the only person out there who is fascinated by vintage electronics and the vintage software that runs on them.

Category: Vintage Tech and Other Toys |
| March 21, 2014
5 comments

My Friend, Lucius Shepard (August 21, 1943–March 18, 2014)

Lucius Shepard

Many obituaries, many still to be written the world over, will focus on Lucius Shepard’s tremendous body of work in the science fiction and fantasy field. Having known Lucius personally, I’d like to take a different tack. I’d like to focus on the Lucius who was such a good friend to my family and to me.

I had the great pleasure of meeting Lucius not too long after my first novel, Fat White Vampire Blues, hit the bookstores. I believe the first time Lucius and I spoke was at the World Fantasy Convention in Tempe, Arizona just before Halloween of 2004, when my first son, Levi, was less than a year old. Dara and I dressed Levi in a little gorilla costume for Halloween, and we walked from the hotel for some dinner with Lucius. When he found out who I was, Lucius said he’d read my book and told me to expect my protagonist, Jules Duchon, to receive fan mail.

A year later, at ArmadilloCon in Austin, Texas, Dara and I saw Lucius again. He mentioned that he’d be coming down to New Orleans to do research at the Tulane University library on William Walker for a book he was writing. Dara and I told him he should stay at our home on the West Bank of New Orleans and that I would be happy to drive him each day to the library and pick him up from the Algiers Ferry landing. While he was staying with us, one of my dining room chairs broke while he was sitting in it. Rather than getting indignant about how the incident might reflect on his great size and weight (Lucius was a big guy), he was incredibly apologetic about breaking my chair. To me, that’s Lucius in a nut shell… a gentle, polite giant, a sort of huge tame bear who had somehow wandered into our home.

This impression I had of him was only solidified later that evening. Dara’s and my cat, Snagglepuss, seemingly escaped the house when Lucius went outside for a cigarette break. Lucius and I spent an hour and a half driving through the neighborhood in search of that cat. I’ll never forget Lucius’s oddly high-pitched voice calling out, “Here, Snaggy! Here, Snaggy, Snaggy, Snaggy!” We later found the cat hiding in one of the rooms inside our home, so he’d never gotten out in the first place. But I’ll never forget Lucius’s very sincere concern. How strange it was, to have had one of the brightest stars in American literature sitting next to me in my little blue Ford Focus, calling out the window for a missing cat!

Lucius did something very special and very touching for me when my family and I were trapped outside our home for months in the aftermath of Hurricane Katrina. Knowing that there was a good possibility that my entire collection of books had been destroyed by the hurricane’s floods (they weren’t, after all, since Dara and I were fortunate enough to live on the West Bank, in a separate flood zone from the rest of New Orleans—but Lucius didn’t know that, and neither did we at the time), and also knowing I had no reading material at the Florida condo where my family and I had taken shelter, Lucius shipped to Florida a carton of all of his books, signed and personalized. I have them on my shelves still.

Sad to say, Lucius and I did not stay in close touch after Hurricane Katrina. We never had any sort of a falling-out; we both just found ourselves too busy to do more than follow each other’s ups and downs on Facebook. I would send him “get well soon!” messages whenever I read that he had had an eye operation or that he was laid up with some sort of an illness (which happened distressingly frequently).

The last time we spoke was the Sunday morning before I suffered my own personal mental breakdown (due to issues completely unrelated to Lucius). A friend of Lucius’s, along with The Magazine of Fantasy and Science Fiction’s editor, Gordon Van Gelder, had each emailed me and asked me if I would call Lucius at home so that he could practice his speech. He had suffered a stroke and needed to speak with friends he was comfortable with so that he could regain his speaking abilities. When I reached Lucius that morning, he was astoundingly upbeat about his prospects. I remember telling him, “Lucius, if I ever suffer anything like what you’re going through, I hope I can face it with half the bravery and fortitude you’re showing me this morning. All I can say is, you are a superhero!”

The very next day, I suffered physical symptoms related to my emotional breakdown which mirrored the impact of a stroke. A few weeks after I got out of the hospital, I sent Lucius a message on Facebook telling him about my experience and praising him as my role model; my experience of his bravery and fortitude had helped me get through that awful week in the mental hospital.

I don’t know whether Lucius ever received that message; I don’t know whether his stroke allowed him to check his Facebook messages. I also tried reaching him on the phone again, without success. But I hope he saw it.

Farewell, Lucius. As a friend, a writer, and a human being, you were a superhero to me!

Category: Horror and Fantasy, Science Fiction |
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